Stanley Turrentine – Comin’ Your Way

44.00

All Analog 180g Vinyl LP!
Tone Poet Audiophile Vinyl Reissue Series!
Mastered by Kevin Gray at Cohearent Audio From Original Analog Tape!
Produced By Music Matters’ Joe Harley!
Pressed at RTI!

Referência: TPLP-LDT12764
Etiqueta: Blue Note – Tone Poet
Embalagem: 1 Lp – 33rpm
Gramagem: Vinil 180 g
Código de barras: 602577912764

Stanley Turrentine is at his blues-drenched best on Comin’ Your Way. This session from 1961 features the magnificent rhythm section of Horace Parlan on piano, George Trucker on bass and Al Harewood on drums, better known as the Horace Parlan Trio. Also featured is Tommy Turrentine (Stanley’s brother) on trumpet, who contributed the tune “Thomasville” on this set, showing his strong Fats Navarro influence. This quintet was at the peak of their collective power at this time, with this same group also making the classic Blue Note Horace Parlan records, Speakin’ My Piece and On The Spur Of The Moment. Comin’ Your Way completes this magical hard-bop trilogy!

Tone Poet Audiophile Vinyl Reissue Series: “Tone Poet” Joe Harley–co-founder and co-producer of the acclaimed Music Matters audiophile vinyl series–is the producer of this new series of all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering was done by Kevin Gray (Cohearent Audio) and vinyl was manufactured at Record Technology Incorporated (RTI). The titles were handpicked by Harley and cover lesser-known Blue Note classics, modern era standouts, and albums from other labels under the Blue Note catalog.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

The so-called Tone Poet (Joe Harley) is confident that his audiophile reissues will allow 21st-century listeners to hear what the musicians heard as the master tape was played back on the studio monitors in Rudy Van Gelder’s studio 50 or 60 years ago. He believes that, in terms of quality, Blue Note albums have never sounded or looked better. “Every aspect of these Blue Note releases is done to the highest possible standard,” he says. “It means that you will never find a superior version.”

Side A:

My Girl Is Just Enough Woman For Me
Then I’ll Be Tired Of You
Fine L’il Lass

Side B:

Thomasville
Someone To Watch Over Me
Stolen Sweets

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