CREDITS:
Miles Davis: arranger, trumpet, flugelhorn
Gil Evans: arranger, conductor Johnny Coles: trumpet Bernie Glow: trumpet Taft Jordan: trumpet Louis Mucci: trumpet Ernie Royal: trumpet John Barrows: French horn James Buffington: French horn Earl Chapin: French horn Tony Miranda: French horn Joe Singer: French horn Dick Hixon: trombone Frank Rehak: trombone |
Bill Barber: tuba
Jimmy McAllister: tuba Danny Bank: bass clarinet Albert Block: flute Eddie Caine: flute Harold Feldman: clarinet, flute, oboe Romeo Penque: oboe Jack Knitzer: bassoon Paul Chambers: bass Jimmy Cobb: drums Elvin Jones: percussion José Mangual Sr.: percussion (on track 1) Elden “Buster” Bailey: percussion (tracks 2–5) Janet Putnam: harp |
Recorded November 15 & 20, 1959 and March 10, 1960
Columbia 30th Street, New York City, USA – Recording Engineer: Fred Plaut
Original session produced by Teo Macero – Originally released Columbia Records © (July 18, 1960)
Remastered Hemiolia’s Stereo Edition by Pietro Benini (February 2024)
TRACKLIST:
Reel one:
1 – Concierto De Aranjuez (Adagio) – [writer: Joaquín Rodrigo] – 16’22”
2 -Will O’ The Wisp (From “El Amor Brujo”) – [writer: Manuel de Falla] – 03’50”
Total Length: 20’12”
Reel two:
1 – The Pan Piper – [writer: Traditional, Gil Evans] – 05’56”
2 – Saeta – [writer: Traditional, Gil Evans] 05’03’’
3 – Solea – [writer: Gil Evans] 12’15”
Total Length: 21’14”
Reel one + reel two length: 41’26”
Note Tecniche:
In collaborazione con ERMITAGE DISTRIBUTION.
Tutti i Master Tapes nati dalla collaborazione con Ermitage Distribution vengono prodotti utilizzando come sorgente esclusivamente Production Masters (First Generation) in stereo, 2 tracks – 1/4”