Bruno Walter helped shape the very essence of interpretive style among conductors. Walter’s rendition of Beethoven’s sixth symphony is perhaps the greatest ever recorded — his reading of the score comes off sounding like a piece of literature or poetry, but that is a great thing and perfectly blends with the music to create a benchmark recording.
And here, once again, Analogue Productions has taken a classic and shaped it to make the premier reissue of this famed LP. Ryan Smith at Sterling Sound mastered this album from the original analog tapes. The cut lacquers were plated and pressed to 200-gram vinyl by our own Quality Record Pressings. The Stoughton Printing old-style tip-on gatefold jacket has been upgraded handsomely by a series of rarely-seen photos of Walter from the Sony Music Archives. Everything about this reissue radiates quality.
Now with Analogue Production’s 45 RPM release, the best-sounding version of this historic album gives listeners an even richer sonic experience. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.
|1||I. Allegro ma non troppo (The awakening of joyful feelings upon arrival in the country)|
|2||II. Andante molto moto (The Brook)|
|3||III. Allegro (Village Festival)|
|4||IV. Allegro (The Storm)|
|5||V. Allegretto (Shepherd’s Song)|